The Wildhouse/Self Made Man/Souldrive - Droothy Neebors,
Dundee 28-10-05
A concert at Droothys because the Westport had double-booked (hmm.....now where have I heard that one before? Oh yeh, on here....!!!! Last time the Doghouse rescued things!!) and one that featured such a strange trio of bands, you'd have thought it would have been one of my promotions. I wish!!
The evening started with The Wildhouse - oddly enough with a new opening track and Sheila's drums, for once, almsot submerged by the guitar assault - it was gonna be a night for guitar assaults as it turned out - as the vocals weaved ethereal spells over the approaching guitar layers and driving drumming. From there, it was a journey through songs familiar and less so, mostly short-ish, with the drums becoming ever louder as the two guitarists laid down textural and feedback-laced patterns, with Paul seeming to fancy more overt leads than normal as this scorching electric guitar cut through like Neil Young on steroids, on several occasions, the whole "Neu-meets-Velvets" effect in full swing. Keeping the best to last, and this band's normal eclipses most others' best,they turned in a final long track that, even for them, went beyong brilliance. Opening relatively slowly as the journey began in a hail of guitar shards and electric howl, the drums laid down a rhythm that you simply knew was just the start. Then suddenly it's - 1,2,3 - blat!!! - power on, drums in roaring Can-Velvets mode while the second guitar was set on stun, unleashing power chord after power chord only as a continuous hail of electrifying blitz, while the lead guitar moved from spine-tingling soloing to all-out searing bursts of sound as Sheila's drumming took you into another dimension altogether. The pace accelerated to almost mind-altering dimensions and just as you thought it couldn;t get any better than this, Sheils took the reins and laid down an even faster rhythm that had you jaw-dropped in disbelief as the guitars took up the challenge and went supernova - possibly one of the most awesome live performances from this band that I've seen to date - then the pace decelerated as the tension was released, the intensity maintained as the guitars soundscaped in loud and uncompromising fashion, the end finally coming with just the two guitarists unleashing a mix of power riffs and feedback before an abrupt end returned you to this dimension with a bump. Unbelievable and then some!!!
How could you follow that? Well, Self Made Man managed it! Last time I saw this band I thought they had a very charismatic singer who largely took over the act. This time I heard a band firing on all cylinders with a singer who was unleashing as much power as the instruments. For a so-called thrash band - and this band is so much more than that term belies - they play songs that are more like epics, each taking on a life of their own as they exude more inventiveness and originality of arrangement per song than most similar bands manage in an entire set.
Take the lenghty track, "Self Made Man", a an example - the raw power of the guiatrs and rhythm section twisting and turning as the song moves from accelerated thunder to a juggernaut of mid-paced dynamite, the singer roaring out the, completely audible, lyrics as though his life depended on it, but none of this in that clicheed manner in which most hardcore bands reside, and a track that is utterly spellbinding as you watch the guy, transfixed, and the band lays down the maelstrom below. Follow this with "Fear and Consumption", a monster train-ride of hardcore song-writing with a chorus attached as the band erupts and another slab of metal-core is unleashed on the now spellbound audience. On "Rise & Revolution" (I think), the vocals powered out over a solid, grungy backing which then accelerates as the band fire up and simply powere their way to nirvana as the vocals head for oblivion in even stronger fashion. The band justifiably received an encore, this time a roaring vocal over a raging guitar riff as the band explodes into action and the guitar solos with intensity. A controlled thrashing monster of a track with clearly heard, thought-provoking lyrics, that becomes a nuclear maelstrom of electrifying power. Overall, this was a lot tighter set from this hardcore band with more of an ensemble performance as the massive metal blitz that avoided extremes, with long-ish songs well arranged, provided an ultra heavy set of jaw-dropping proportions.
After this camne the main band of the evening, Souldrive. As different as you could get, this was a more traditional heavy rock trio, but even here there was a huge amount of variation in their set of wholly original songs as you spotted more influences along the way than you'd think possible. At various times I found myself thinking of everything from Metallica and Sammy Hagar to Journey and Van Halen, although hearing this set of songs for the first time took more concentration than I had left after what I'd just witnessed, so fogive me for a lack of review detail here. The songs, to be fair, weren't exactly hook-laden, and were mostly what you'd call mid-paced and solid, heavy and rocking but more intricate than that belies. What was memorable, however, was the lead guitarist who largely stole the show with a strong set of solos throughout. The final, largely instrumental, track showed the band off to their best with some searing guitar work over disembowelling bass and crunching drums on quite a lengthy number that managed to maintain the interest of the audience and earn justifiable applause. A good band, but one I'd need to see again to do more justice to a set review.
As I said above, a frighteningly good evening of variation and power - you missed a treat!!